Who were the Modern Jazz Quartet?

Who were the Modern Jazz Quartet?

John Lewis
Milt JacksonConnie KayDrum Kit
Modern Jazz Quartet/Members

The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath (double bass), and Connie Kay (drums).

What type of jazz is Django?

Modern Jazz Quartet
“Django” is a 1954 jazz standard written by John Lewis as a tribute to the Belgian-born jazz guitarist Django Reinhardt….Django (composition)

“Django”
Instrumental by the Modern Jazz Quartet
Genre Jazz
Length 7:03
Composer(s) John Lewis

Which famous American jazz musician did Django play with when he visited the USA?

During his career he played with many famous American musicians, including Dizzy Gillespie, Coleman Hawkins, and Louis Armstrong. In 1946 Duke Ellington invited Django to join his band in the U.S. where he was introduced to the electric guitar which he quickly mastered.

Who was the founder of the Modern Jazz Quartet?

Jackson, Lewis, and drummer Kenny Clarke were pioneer bop musicians who had played together in the 1948 Dizzy Gillespie big band and pursued separate careers before adding Heath to form the Modern Jazz Quartet in 1952.

Who were the pioneers of cool jazz?

The beginnings: In the late 1940s and early ’50s, swing-era tenor sax player Lester Young began inspiring jazz musicians with his relaxed, light style of playing. While Young provided the inspiration, it was trumpeter Miles Davis who developed the style and is credited with creating the genre of cool jazz.

What was unique about the manner in which the Modern Jazz Quartet performed?

What was unique about the manner in which the Modern Jazz Quartet performed? This saxophonist became known for well-constructed improvisations that made use of melodic connections based on voice leading, as well as motive development. Hard bop bands often consisted of how many players?

How did Django lose his fingers?

In 1928, at 18, Belgian gypsy musician Django Reinhardt lost the use of the third and fourth fingers of his left hand in a caravan fire, forcing him to abandon both the violin and banjo and concentrate on the guitar, playing solos with only his index and second finger.

Was Django Reinhardt black?

Reinhardt was born on 23 January 1910 in Liberchies, Pont-à-Celles, Belgium, into a Belgian family of Manouche Romani descent.

Did Django play in Germany?

Django spent the 1st Winter of the War playing in Jimmy’s Bar in Montparnasse; but in Spring 1940 the German Blitzkrieg led to the speedy fall of France. He fled the City when the Germans occupied Paris on 14th June but returned after the French Surrender left Northern France under occupation. …

Is Miles Davis cool jazz?

cool jazz, a style of jazz that emerged in the United States during the late 1940s. The term cool derives from what journalists perceived as an understated or subdued feeling in the music of Miles Davis, the Modern Jazz Quartet, Gerry Mulligan, Lennie Tristano, and others.

When did Django by the modern jazz quartet come out?

Modern Jazz Quartet. Django is an album by the Modern Jazz Quartet, first released on 12-inch LP in 1956.

What is Django by John Lewis?

Hailing from a trio of Modern Jazz Quartet ( MJQ) sessions, Django (1955) contains some of the earliest sides that Milt Jackson (vibraphone), John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums) recorded for Prestige Records.

Who wrote Django Django and Bags’Groove?

During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group’s musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis’s ” Django ” and Jackson’s ” Bags’ Groove “.

What is the modern jazz quartet?

The Modern Jazz Quartet played in a variety of styles, generally a combination of cool jazz and bop. Jackson brought a strong bebop influence to the group with his virtuosic improvisation and was the first to play vibraphone in a bop style.